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Currently Updating: Seven days a week, because I'm mad! |
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Prismatic Vodka #81 Sunday July 2nd 2006 "Part 2: Attack of the Blends" copyright 2005 Rik Davnall, all rights reserved Rik_the_Riff@hotmail.com - email me! I have good news! Little Heart will return on Tuesday! In fact, I'll actually be starting it from the beginning again, because it's effectively been on hiatus for six months with a start of only three pages, which is barely enough to count. What this means is that Tuesday will be the title page for book 1 (yes, I know originally the title page was page two or possibly even three, but I'm starting to think that was a bad idea, so I've changed it). It also means that, starting tomorrow, there are going to be a whopping seven updates a week. In fact, the ten-every-three-weeks schedule of Prismatic Vodka, whereby there's going to be one of these title pages every third Sunday, means I'm going to have to squeeze in seven-and-a-third updates a week, which is very silly, but works, just about (the lucky day, fyi, will be Saturday, which in title-page weeks will have a Little Heart page and a Zobbo page). Speaking of those title pages, here's number two. There isn't really much to say about it; after all, it's just a title page. However, I can say that part two has some of my favourite bits of silliness yet to appear in Prismatic Vodka. This goes way beyond the Cannibal Coffee Ninja... but that's all I'm saying ^_^. I finally got round to watching the second half of Dirty Pair Flash: Angels in Trouble yesterday evening. Now, I've commented before on how generic and samey this series is; it's very entertaining, but in a brainless and exploitative sort of way. In other words, it's a typical shonen-manga-based anime. Big breasts and big explosions. However, I was startled watching the last three episodes of Angels in Trouble (AKA First Mission) to find that the characters, at least the two leads, are genuinely deep and worth caring about (and I'm not referring to their cleavage...). It redeems the series completely. Where Yuri was once annoyingly pathetic and Kei annoyingly psychotic, they've mellowed perfectly, to the point where they're both excellent agents. There's nothing I love more than seeing people change for the better, so it really was gratifying. The plot turned on the flimsiest devices and the critical events for the majority of characters were unconvincingly underplayed (albeit in a way that still managed to be over- the-top), but there was a genuineness to the way Kei in particular responded to her circumstances that really carried it. Unfortunately, now I have to buy the rest of it >_< No other news, I think... Wub, Rik ![]() ![]()
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